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- <text id=92TT0382>
- <title>
- Feb. 17, 1992: From The Publisher
- </title>
- <history>
- TIME--The Weekly Newsmagazine--1992
- Feb. 17, 1992 Vanishing Ozone
- </history>
- <article>
- <source>Time Magazine</source>
- <hdr>
- FROM THE PUBLISHER, Page 4
- </hdr><body>
- <p> With changing times, TIME's covers have changed dramatically.
- This week offers an excellent example: illustrating the
- vanishing ozone shield required the efforts of two
- photographers, a digital imaging expert and an art director who
- blended their work into a compelling design. But if many of our
- covers these days have become more conceptual to address broad
- issues, there was a time when we usually featured individuals,
- and assigned noted artists to paint them.
- </p>
- <p> The results were often superb--or at least the
- Smithsonian's National Portrait Gallery in Washington thinks so.
- At an exhibition running through May 17, the nation's official
- depository of portraits is showing 36 TIME covers of men and
- women who played key roles in the Second World War. "TIME Covers
- the War: Personalities from World War II" spans the period from
- Jan. 3, 1938, when General and Madame Chiang Kai-shek of China
- were on the cover, to May 21, 1945, when Japan's Emperor
- Hirohito was rendered as the divine "Son of Heaven." Also
- included: Joseph Stalin as the 1942 Man of the Year, General
- Douglas MacArthur upon his triumphant return to the Philippines
- in October 1944 and Adolf Hitler following his suicide in May
- 1945.
- </p>
- <p> The works represent just a fraction of the 1,600 TIME
- covers--the only magazine covers so honored--in the
- gallery's collection, most of which was assembled in 1978 from
- our archives in the Time & Life Building. Frederick Voss, a
- gallery historian and curator of the TIME collection, says the
- covers "still evoke the images and immediacy of that time. They
- are picture editorials of World War II that weren't captured
- anywhere else." They also stand out because of their unique
- style, which relied on the use of often mythical background
- symbols to establish the cover subject's significance. The
- technique became the signature of the three studio artists
- commissioned by TIME: Boris Artzybasheff, Ernest Hamlin Baker
- and Boris Chaliapin, known collectively as "ABC." Of the three,
- Chaliapin was the most prolific, producing more than 400 cover
- portraits. ABC, says TIME art director Rudolph Hoglund, "were
- pioneers of a tradition" of recruiting distinguished
- illustrators for the magazine's cover art. Among them: Marc
- Chagall, Andrew Wyeth and Andy Warhol. We like to have our
- journalism keep that kind of company.
- </p>
- <p>-- Elizabeth P. Valk
- </p>
-
- </body></article>
- </text>
-
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